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Review Penn Museum
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September 26, 2010 - June 26, 2011

Archaeologists and TravelersIn the late 1800s, the University of Pennsylvania began excavating the ancient city of Nippur, located in present-day Iraq. This marked the first American expedition in the Middle East. Over the period of a decade, the excavation team unearthed a remarkable collection of nearly 30,000 cuneiform tablets. Archaeologists & Travelers in Ottoman Lands tells the stories of three men whose lives intertwined during the Nippur excavation, as well as the story of Penn’s first excavation. Osman Hamdi Bey, director of the Imperial Museum in Istanbul (now called the Istanbul Archaeological Museum) was the gatekeeper for all excavations in the Ottoman Empire. Also an accomplished painter, Hamdi Bey created a painting of the excavations at Nippur. This painting, along with another Hamdi Bey painting in the Penn Museum’s collection, will be featured in the exhibit.

Archaeologists and Travelers WebsiteArchaeologists and Travelers Online Catalogue
This accompanying catalogue frames the time in which the Nippur expedition occurred, looking at American engagement with the Ottoman Empire. Visit the website


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April 30 through July 31, 2011

Afghan War RugsThe rug weavers of Afghanistan, long renowned for their artistry, depict on their rugs the world that they see. Like television news, their rugs “report” current events. Since the Soviet invasion of Afghanistan in 1979 and throughout more than three decades of international and civil war, Afghan weavers have borne witness to disaster by weaving unprecedented images of battle and weaponry into their rugs. Flowers have turned into bullets, landmines, and hand grenades.

Birds have turned into helicopters and fighter jets. Sheep and horses have turned into tanks. These are the images on a new and electrifying kind of Oriental rug – the “war rugs” from Afghanistan. Dozens of Afghanistan “war rugs” woven since 1980 are featured in this traveling exhibition organized by the Textile Museum of Canada, curated by Max Allen, and making its U.S. debut at the Penn Museum.

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March 23, 2010 - June 28, 2010

Commissioned through The Clay Studio, Philadelphia, and co-curated by Jody Clowes, Jo Lauria, John Perreault and Judith Tannenbaum, Ceramic Interactions is sited at three Philadelphia institutions (the Philadelphia Museum of Art, Eastern State Penitentiary and the University of Pennsylvania Museum of Archaeology and Anthropology). Ceramic Interactions involved the commissioning of new works (or, in the case of the Penn Museum, inclusion of an artist’s recent works), in response to a piece, collection, or space housed within each venue. The artists' work offers each institution—and its public—an expanded or new context for seeing, interpreting or experiencing their collections or the way they perceive their space.

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Special Display

Fang!Fang! The Killing Tooth explores the biology of the “killing” canine and the history of the vampire myth. Through objects, video, and text, you will be able to compare fangs from a range of different animals, investigate stories of ancient blood-sucking beings, and even get a new perspective on your own killing teeth.

The display will include a video of Dr. Janet Monge, Acting Curator-in-Charge and Keeper of the Physical Anthropology Section, discussing physical and cultural aspects of blood and the evolution of the canine tooth as they relate to vampire mythology.

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Through July 11, 2011

A Lenape fan made of beads, deerskin and feathers rests in the hands of Shelley DePaul, Director of the Language Program for the Lenape Nation of Pennsylvania and a co-curator of the new exhibition Fulfilling a Prophecy: the Past and Present of the Lenape in Pennsylvania. Photo by Lauren Hansen-Flaschen.Conventional histories of Pennsylvania declare that all but a few elderly Lenape people left the state by the opening of the 19th century. Yet, many remained in secret. Children of the little known Lenape-European marriages of the 1700s stayed on the Lenape homelands, practicing their traditions covertly. Hiding their heritage, they avoided discovery by both the government and their neighbors for more than two hundred years. Now, the descendants of these people have come forward to tell their story.

Fulfilling a Prophecy, organized by the Penn Museum together with the Lenape Nation of Pennsylvania, features never before displayed objects from the private collections of Lenape people in Pennsylvania, in addition to historic and contemporary photographs and archaeological objects from the collections of Penn Museum. Ancient masks, dolls, jewelry, and other traditional arts are featured, as well as a number of once-secret family heirlooms, rich with hidden Lenape symbolism, dating from the early 19th century.

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Water monster gargoyle on temple roof, Tibet 2005.  Photo by Andrea Baldeck.

Himalaya: Land of the Snow Lion was on display in our Merle-Smith gallery 01 November 2008 through 14 September 2009.

In this new exhibition of 45 black and white images, photographer Andrea Baldeck explores the territory, often called "between heaven and earth," encompassing ethnic, cultural and historical Tibet, which stretches from the western Himalaya mountains of Ladakh (northern India), to Bhutan, the Tibetan Autonomous Region, and east into Sichuan and Yunnan provinces. Her photographs offer a compelling look at an ancient, mostly Buddhist world through portraiture, landscapes, architecture and still life. These invite the viewer to share in her personal, often intimate, journey, exploring the texture and rhythm of human life in these harsh and remote mountains, once isolated, now increasingly exposed to the forces of societal change in an ever more interconnected world.

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Watercolor drawing by Piet de Jong of a bronze lion-headed situla from Tumulus MM, which was excavated in the summer of 1957, when de Jong was at Gordion. Penn Museum image 153691.His Golden Touch: The Gordion Drawings of Piet de Jong will be on display in our Merle-Smith gallery
26 September 2009 through 10 January 2010
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One of the great archaeological illustrators of the 20th century, Piet de Jong spent the summer of 1957, at the invitation of excavation director Rodney Young, working at the renowned site of Gordion in central Turkey. While de Jong set about on a series of watercolors reconstructing wall paintings from a previously uncovered "Painted House," ca. 500 BCE, Penn Museum excavators were making a now-famous discovery: they penetrated a large, exceptionally well-preserved grave mound, known as the "Midas Mound" for its association with the legendary King Midas and his family. There, they found a wealth, not of gold, but of royal artifacts and information about the Phrygian people of 2700 years ago.

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March 26 through June 20, 2010

In Citizen's GarbThe 1880's and 1890's were decades of tremendous upheaval for many native peoples in Texas. Numerous Indian reservations were opened in the Oklahoma and Indian Territories during this time and large-scale efforts were made to force the Native Peoples to adopt Euro-American ways. In Citizen’s Garb: Southern Plains Native Americans, 1885–1891, explores how dress--and life--changed for the Kiowa and Comanche tribes as they gradually adjusted to the new life forced upon them by the United States government. Images of Native Americans in both citizen and native dress reflect the transition occurring between the tribes’ past and their radically different future. Other details are more subtle: a tipi constructed of store-bought canvas rather than of animal hides, for example, reflects a significant change in the material culture of the Native Peoples. The exhibition is curated by John Hernandez, Director of the Museum of the Great Plains in Lawton, Oklahoma, and is organized by the Museum of the Great Plains.

Presentation of In Citizen's Garb at the Penn Museum is made possible by the generosity of Lynne and Harold Honickman in honor of the memory of Elaine Garfinkel.

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Castillo from the Perpendicular Chichen Itza, Yucatan, Mexico, 1982. Photo by Marilyn Bridges.Marilyn Bridges: The Sacred and the Secular was on display in our Merle-Smith gallery 24 April 2009 through 21 June 2009

Aerial landscapes of sites in Peru, Mexico, Egypt, Greece, England, and 11 of the fifty United States—all photographed from a single engine Cessna by intrepid co-pilot, explorer and internationally-renowned photographer Marilyn Bridges, were the subject of this exhibition. The photographs, taken in the 1980s and presented in large-scale Silver gelatin print format, included scenes of ancient and more contemporary landscapes. The exhibit featured images of famous ancient sites of Machu Picchu, Peru; Chichen Itza and Yaxchilan, Mexico; Giza, Egypt; and Corinth, Greece, seen alongside more contemporary landscapes: a baseball playing field in New York, an industrial scene in Houston, Texas, and oil refinery in Greece.

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Special photography display now showing in the Archives hallway

Mummies of the Tarim Basin

 

Jeffery Newbury's Photograph of the Tarim Basin Mummies

Jeffery Newbury's photographs of the Tarim Basin mummies define these ancient people for our age, and probably for all time. Although many other photographers (including some who are very famous) subsequently captured the images of the mummies, none of them have ever come close to capturing the spirit and the soul of these long deceased individuals as Jeffery Newbury has done.

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