Bark Cloth Sample

Divining Cloth Fragment

A rectangular sample of bark cloth, made of wauke (paper mulberry). The sample was removed from a kapa measuring approximately 5 x 8.5 feet, at the Bernice Pauahi Bishop Museum. The kapa is referenced in William T. Brigham’s Ka Hana Kapa. A patterned bark beater, possibly with a niho liilii (small tooth) motif, was used in its production, leaving visible markings in the cloth. Charcoal was used to dye the cloth a grey-blue color.

Kapa cloth is produced from the inner bark of a tree, typically wauke (paper mulberry), which is cultivated, harvested, and processed through soaking, scraping, fermenting, and repeated beating to form and refine the cloth. Patterned beaters may be used during production to create watermarks that can reflect regional styles or maker affiliations. After drying, the cloth is decorated using natural dyes and bamboo implements.

From the eighteenth century onward, European collectors and scholars frequently collected kapa, often removing small samples from larger textiles to facilitate transport, study, and comparison in museum and private collections, a practice especially common during and after Cook’s voyages in the Pacific.